Archive for January 21st, 2009

View from Mattie’s Pillow

January 21, 2009

Temperatures dropping again. It’s a challenge to keep the horses comfortable with such radical fluctuations–from 50 below to 50 above last week; now back around zero and dropping to 20 below by the weekend. I blanket them with heavyweight blankets when the temperatures head to 30 below, trying to time it so that I do it before the temperature point where my fingers get too cold to manipulate the buckles but not before the blankets would keep their thick coats from doing the job they do so well.

Yesterday, Sam, the watch horse who insists in standing out of the run-in shed in any weather, was shivering when I went to feed him in the morning. He had stood out in the snowfall the day before and had had small drifts of it on his back, which turned to glaciers, stuck to his thick coat. If he were willing to spend time in the shed, like Mattie does, the ice would have never formed or would have melted and dried. But there he stood, coat thick with ice, some of it melted and wet to his skin.

I blanketed him with a fleece blanket liner to wick the melting ice away, and he looked happier. I saw him later, standing with his head over the fence, looking for dog walkers on the road below the corral, the blue fleece on his back frosty from where he had rolled and from the moisture wicking out of his coat. I took it off later in the day to keep his coat from packing down and making him colder and found that the ice had melted off his back and reformed down along his belly. I thought of putting a quilted blanket on him, but his back was dry and I knew that, if our temperatures really drop, I’d need to keep that blanket in reserve.

Today, his coat is dry. The sun is a little brighter than yesterday as it makes its slow progress back up our northern sky. Mattie stands sideways to it, soaking in what heat she can with her black coat. Sam, a white horse in the snow, is back at the fence, moving a little at a time to stand in a triangle of light, moving as it moves.

Dancing in the North

January 21, 2009

(I’m going to branch out in the weeks to come and write some short pieces on life around the North Star Ballet studio as the kids prepare for this year’s ambitious performance of Firebird.)

Finally, after a long break for the holidays and the deep cold followed by a thaw and black ice, I made it back to ballet class last night. For years now, my weeks have been bracketed by Sue Perry’s adult ballet classes–Tuesday and Wednesday nights. In the closed world of the studio, we relive our past dreams of dancing. Some of us have danced on stage; some have never had a dance class before we walked through the door. But in class, we are moving toward a mutual goal–to become that ideal of lightness and grace that we imagine dance to be, to defeat gravity where it overtakes our bodies first–arms, legs, back, bellies.

I had been dancing for some time before I met Sue, but I started as an adult and adults progress through the forms of ballet at a different rate than children do. My son and I started together, me at 34, he at 5. Now, he is a free-lance dancer who has performed in four countries; I’m a permanent adult intermediate dancer. When I walked into Sue’s class, it was as if I had started over as she systematically took me back to the good habits I should have developed in the first place. Sue, however, treats each adult as if her or his potential is unlimited and as if whatever level we ultimately reach is a level worth reaching and worth working hard for.

Last night, I noticed how my right and left arm move differently. I was dancing at the front of the class and watching my port de bras in the mirror when I realized that my left arm–my writing arm–moved back down through the arc of the movement faster than my right one, which stayed floating longer. Try as I might, I couldn’t get them to move at the same rate and still concentrate on the echappes that we were doing. I realized that this is also a problem for me in riding: one side of my body reacts faster than the other; one side stays in balance better than the other and it makes the horse move stiffly to balance me out.

It’s like this blog–to me, all the things I’ve listed in the heading are connected, and each is an art in itself. As I read around the blogosphere, I notice others working on the interrelation of the arts–and we each have a different set of arts to interrelate. More on this in the days to come.