Archive for February, 2010

Poetry Challenge 40

February 21, 2010

The Thaw

Here in the Interior, temperatures are sneaking above freezing at mid-day.  The snow is melting away on south-facing hills, birds are darting wildly through the air as if they think they missed the beginning of mating season, and the roads are slick and treacherous from the melting ice over still-frozen pavement.   People are shedding coats, eyeing the greenhouse, ordering seeds, walking out in the sun and thinking of summer plans.  All the while, we know our folly, for we are not yet out of February and not yet into March.  At the back of our minds, we hear the old song, “When It’s Springtime in Alaska, It’s Forty Below.”  Really.  We’re restless, joyful, yet preparing for this respite from winter to be snatched away from us by deep cold and more snow.

So, here’s the challenge–write about a thaw of some kind: an old grudge melts away, an intractable animal becomes gentle, a place that seemed ugly suddenly looks beautiful, or an actual thaw complete with mud, green things, dripping water.   Post it in the comments section and I’ll add it here.  All of us in the Interior are waiting.

The View from Mattie’s Pillow

February 13, 2010

Warmer days here—up around zero. For those of you reading this in the Lower 48, that may not seem warm, but with the increasing sunlight, dry air, and low snow cover, it feels like spring is on its way. On campus, walking between buildings at lunch or between classes, people seem animated, smiling, holding doors open for each other in order to have a chance to say, ”Isn’t the weather great today? Isn’t the light amazing?”

In the corral, Mattie and Sam position themselves in the sun, dozing. This morning, Mattie stood with her head half lowered, while Sam curled up on the packed snow of his favorite rolling spot. Some birds, perhaps juncos, swooped long arcs in the air above us. The light spread across the snow, up the hill to the trunks of the spruce trees, and tangled in the red-gray twigs at the end of the birch branches, delicate looking, but waiting for the right mix of light and warmth to start sucking sap out to the buds like sugar water through a soda straw. Astonishingly fragile pale green leaves will unfurl from those dry-looking sticks one day in May, and we’ll be into the mad rush of summer.

But I get ahead of myself. Today, I’m heading out with brushes, mane and tail detangler, and a “waterless” shampoo to get their coats ready for shedding season. They look like long-legged bears, their coats are so long and thick. And I’ve been so caught up with work that I come home too tired and the late afternoon is still too dark to spend much time with them daily, except for the usual scratch on the neck and good visual once-over.

Today, too, I’ll go back to the seed catalog on line to look at the gorgeous photos of carrots, lettuce, tomatoes and the difficult things: eggplant, peppers, melons, and try to finalize my seed order so that I can start indoor planting soon. I remember that, last year as I started this blog, I was in the midst of my sabbatical and that my personal goal (as opposed to the professional) was to get a sense of how else I could spend my life other than the way I do at work. Here’s what I’m concluding: fewer meetings, fewer obligations other than ones I can concentrate my energies on to do well, more horse time, more time with my hands in dirt, more writing. The question is how to do this in a self-sustaining way, without fully “retiring.” I watch friends of mine who’ve retired in disgust at the intensity of their work life, but haven’t substituted anything else for it. This works out badly for them.

For now, I’ll juggle both, knowing that the academic calendar gives me freedom when I need it most for my “real” life—the months of May-August. And as the light grows stronger and lingers longer in the evening, I’ll have more time and energy (light equals energy after all) to prepare my semi-feral critters for all that I have planned for them this summer.

If you are on the East Coast—enjoy the snow before it melts. Send us some for our dog races and to shelter the roots of our plants as the frost line works its way down through our soil in the spring. When spring actually comes for you—crocuses and daffodils—we’ll still be basking in the dazzle of light reflecting back off snow. Send photos and poems!

Update:  I spent an hour with Sam, detangling his mane and tail.  The sun gleamed off the long hairs of his coat and he stood dozing while I worked.  After that, we did a little clicker work, training him to touch his red ball to the word “touch”.  We had done this with other objects before, so he picked it up quickly.  I wish I knew how to cue all the tricks he already knows, but I’m guessing the cues are rather confused for him at this point.  Sometimes I’m sure what looks at first like bad behavior is a trick he’s been cued to–but I may never know his history.

One more thing.  When I got out to the corral, I checked the water tank to see if it was low enough to clean out the scuzz that accumulates at the bottom: shavings, hay, a feather or two.  When I looked in the tank, there was a whole bird, a chickadee, perched nervously on the red plastic that joins the heating element to the cord on the outside of the tank.  He was just above the water line and he eyed me suspiciously as I peered over the edge. I could see that his tail feathers were wet and scraggly; he must have tried to drink and gotten wet and was now too heavy to fly up out of the high-sided tank.  I put the grooming tools down on the fence rail and reached in gently with my gloved hand to give him a boost.  He flew up high enough to get over the tank rim then perched on the stall divider on Mattie’s side.  She walked over with her nose down, sniffing him cautiously.  He flew up again, over  tank to Sam’s side, where he perched on the salt block and ruffled his feathers.  As I worked with Sam, I checked back on him from time to time, sitting there on the rust-colored salt in the sun.  The run-in shed faces south, so he was in sun with no breeze–the perfect place to dry out.  From time to time he would call out “Chick-a-dee-dee-dee-dee-dee” a hoarse call, perhaps warning other birds away from the treacherous water tank.  Finally, when I went to check again, he was gone, feathers dried, dignity restored.

Poetry Challenge 39

February 3, 2010

This week, Emily Dickinson.   One of the questions that always comes up when we read Dickinson is what she meant by all the dashes.  Were they imitations of her speech rhythms?   Ellipses, where more was left unsaid than was said?  A habit, a quirk?

I like dashes–the way they spread out a sentence–the way they give the reader a pause to let the words resonate.

So write a poem with dashes–in odd–places.  See what it does to the line and to the words around it.

And in honor of Dickinson, have a bird fly through the poem.

———————————————–

OK.  So here’s my attempt in three phases.  First,  a poem as I might phrase it, from a random observation of a night time window,  thinking about the time spent outside earlier today.   I’ve added the dashes randomly to this one, but left it as I “dashed” it off in first draft.  Oh, and I forgot to add the bird.

.

There–is nothing–in my mind—

but snow–and tracks

a dog–makes

crescents–of horses’–hooves

pocked–across flat–white

floor–and you–and dark

and–the trail

smoke—makes–dusk spiral

gray on gray–blue

and how–the cold sits

on its side–of glass–blackly

flat—pressing–that one square–

I can—see–from here.

———

Now, a second version, adding her most familiar metric form, which can be sung to “The Yellow Rose of Texas” or “Amazing Grace”:

.

There–is nothing–in my mind—

but snow–and tracks a dog

.

makes. Crescents–of the horses’—hooves

pocked–across flat—white floor

.

and you–and dark and–the trail smoke—makes

dusk spiral–gray on gray—

.

blue–and how–the cold sits–on its side

of glass—blackly flat

.

pressing–that one square–I can—see—

from here.

.

(The poem kind of peters out here–breaking the rhythmic scheme.  It gets tougher!)

———-

Now attempting a rhyme scheme with a few slant rhymes:

.

There—is nothing—in my mind

but snow—tracks—of dog paws

.

then crescents—hooves—pocked like rinds

across the flat—white floor

.

and you—and dark—the trail smoke—makes

dusk spiral—gray on gray—

.

blue—and how—cold its side—takes

flat, black—against the glass—

.

No birds—fly now—no moon’s light—flakes

snow—to shadowed—waste.

———

OK.  So I snuck a bird in the last version–or the absence of a bird.  And the rhythm is still not quite Emily’s and the subject matter is too straightforward, and there’s an extra stanza.  But I like the way it opens up the lines, allowing each group of words to hang suspended in the silence around them for a beat as the poem moves along.  And I like the idea of dividing phrases and letting alternate meanings leak out.  And I just plain like dashes–so–there!

OK.  You try one!