Posts Tagged ‘poetry’

Poetry Challenge 63

February 2, 2011

There’s more light on the corral every day now.  Each afternoon, as I leave campus, I take the measure of it–the level of dusk at 5 o’clock, or 4.  Soon, I’ll be able to come home with enough daylight to begin an evening longeing routine for Mattie and Sam, to get all of us in shape for riding season in May.

Last night, I ordered seeds–radishes, my favorite Chianti Rose tomatoes, Laciato kale, zukes and yellow crookneck squash, and an assortment of flowers that I may be able to convince to grow on the steep bank behind the house.

These are all signs of the easing of the season–and then there’s Groundhog Day.  I wrote about it here last year or the year before, but it’s a holiday that has a certain resonance in my memory of being a teenager in Central Pennsylvania: the smell of mud and manure, anticipating the first crocuses, and the ludicrous seriousness of the Slumbering Groundhog Lodge in Quarryville, PA.  I tell the story to my students every year–how the groundhog sees a blinding flash of light, sees his shadow, bolts back into his hole, and we have six more weeks of winter.  Or he doesn’t see the shadow and we have six more weeks till spring.  In either case, here in the Interior, we have three months till break-up, so we look for other signs–our moods lift, for example, as the sun cycles higher above the horizon.

You may be socked in with snow right now of mired in the bad news of the world.  What images keep you hopeful of spring?

Post a poem in response to this challenge and I’ll add it to this post.

Poetry Challenge 62

January 24, 2011

Shakespeare and (not yet) spring

The signs of the season–more light lingering in the afternoon, an orange sherbet color in the late afternoon sky, the luscious greens, reds, yellows of seed catalog photos, the Fairbanks Shakespeare Theater Bardathon, the sparkle of snow now that the sun’s high enough in the sky to reflect from each crystal.  From Ocala, news of the birth of Fiddle’s newest foal, out of the stallion Shakespeare, named Bard of Avon–splay legged and already showing the high shoulders and strong haunches and just a hint of coil in the spine that can uncoil in a sprint down the track.  Not any where near spring, but far enough away from the darkest winter that we feel ourselves awaken to dream of spring.

Write about what gives you an inkling of hope, a sense of the change of season to come.  Or, like a new foal, what holds promise for the months and years ahead.  Post it in commments and I’ll add it here.

Poetry Challenge 60

December 18, 2010

Days away from solstice now.  The light is slaty blue in the deep afternoon–sundown around 3:30 and losing a minute and a half of daylight each day.  Temperatures hovering at around thirty below.  Things that don’t seem to belong together merge: the cold of metal feels hot to the touch; hands turn to flippers in  layers of gloves topped with mittens; the darkness holds light reflected in all directions by the white snow; the ice on the roads gains friction as the temperature drops; and deep in our drowsing psyches, some wild energy stirs, gives us dreams, reminds us of the extravagance of spring months away.  Someone asked what the brief time between sunrise and sunset should be called and I suggested “dawnset,” the state of daylight for us in the Interior this time of year.

So write about opposites merging, their energy, their resolution into a whole.  Or write a complaint about the deep bitter cold.

 

Poetry Challenge 59

December 2, 2010

Answering Joe

After last week’s strange rain and icy sheets on all the roads, trees, fences, cars, we’re now having normal weather for early December in the Interior—twenty below and colder.  The mornings are darker now, with a glow of orange above the jagged ridgeline of the Alaska Range.  In this deep cold, I am thinking of my friend Joe Enzweiler, who is battling brain cancer and whose conversation, poetry, and laughter have warmed winter Thursday nights at my house for many years before this one.

 

I posted this poem of Joe’s in January 2009—and it seems apt for today.   When you read the poem, pick a word or image and write a poem back to Joe, starting with that word.  Send me the poem in the comment section and I’ll add it to this post.

 

In Thanks

For these, blue evening
like a child’s brush,
one star.
Three redpolls, frost
on the nail heads,
white steeple of alder
below the grand
terrible night.
And a beating heart
in which they’re known.
The amazement of our
morning sheets.
Four redpolls now,
then five
in the dust of the day.
For all that stirs
beyond the clearing
as the soft daylight
wicks off.
For the wondrous timepiece
unwinding,
in silence
for life
we bow.

–Joseph Enzweiler
(from The Man Who Ordered Perch
Iris Press, Oak Ridge, Tennessee
2004)

Poetry Challenge 58

November 21, 2010

For the last week, we have been having a lovely snowfall–fine floury snow sifting down over everything, including half-built projects left from early fall.  Walking out to feed Mattie, I bumped my toe into something I couldn’t see under the snow and realized that it was a fence pole that I had thought was stacked safely to the side of the path.  I had changed the path in the snow, it turned out.  With new snowfall every night, the tracks I make the day before become blurred white.  With so much snow, the light reflects from everywhere at once, shifting my bearings and sense of perspective as I walk through it to give Mattie and Sam their hay.

So write about hidden things that emerge or about how what covers them over marks a shift of perspective.  Write about the true things–like a fence pole–that disturb the fluffy surface of everyday.

Post your poem as a comment and I’ll add it to this post!

The View from Mattie’s Pillow

November 14, 2010

Fine snow sifting through the air—a day of gray on gray.  I went out to the corral to rake up manure and add it to my newly-half-built manure compost bin and spend time with Mattie and Sam, who are on their long winter layoff.  Though the darkness comes earlier now, there’s still a time during mid day when the sky is full of light and the snow seems to catch the light and magnify it in the air—even on a day like today when there’s no sun, just flat, filtered cloudlight.

I just finished a conversation with my friend Joe, a brilliant poet who has been part of my writing community for the thirty-plus years I’ve lived in the Interior.  He is ill; in the midst of a visit to his brother back east, two summers ago, he was struck down by a seizure and discovered that he had a brain tumor.  Now, it has returned, and he is back in Ohio, living through rounds of treatments, MRIs, hope and despair.

I have been thinking of him, of how fast our lives can turn and on how little.  Here at Mattie’s Pillow, I find it possible to believe that I can fend off trouble with good intentions.  If I keep my hands in garden soil and horse manure, I magically believe, I will stay healthy and strong.  I recommend it to anyone who asks; the transformation of hay to manure to compost to soil to tomatoes to the delicious meal of pasta I can share with a friend such as Joe seems powerful to me.  The best part of the magic is that the horse is in the middle of it all, the agent of transformation, health, and strength.

But I know there’s more to it than that.  There’s randomness to disease.  It does no good to search back to the time the disease began, for that moment can’t be predicted or changed.  We can only go forward.  I told Joe that his friends here love him and asked what I could do.  I wish I could send him this snow—so dry and fine, falling with a soft hiss and softening the edges of fences, trees, rocks, the trucks parked for winter, the horse manure pile.  I wish I could bring him here for a few moments to run his hands over Sam’s thick coat, lift his pale mane, and breathe in the yeasty horse smell.

I’ve been reading a book called The Horse in Human History, by Pita Kelenka.  I’m going through it slowly.  It’s an academic book, dense with facts and details.  But it suggests that the connection between horse and human goes back farther than we have previously assumed.  The horse is part of our psyche—whole cultures have evolved as they have because horses were made with strong backs, fast legs, and a predisposition to move in concert with others of their herd.  The horse exists deep in our collective memory—swift, powerful, mysterious, and willing all at once.  And we exist deep in theirs, if it makes any sense to draw a parallel.  At least, the horse as we have bred it reflects our deepest dreams of what we want it to be—and what, by the same token, we want ourselves to be.

Another writing friend, Sue Bowling, has been blogging about horse color varieties—the variants of palomino, for example: cream, champagne, dark gold, and more.  She gets into the genetic details, the places on the chromosome that change for each color.  For me, thinking of horse colors touches on the dreamlike qualities of horses—the colors have significance to horse owners, they go in and out of fashion—and how we respond to the colors from deep within.  Sam, the fleabitten gray, seems white in winter.  Seeing him looking over the corral fence from the road below, a neighbor girl called him a magic horse.  And Mattie—I blame much of her “issues” on the response some early owner had to her dark coat—the “Fury syndrome,” I call it.  She lived up to the negative expectations some humans placed on her as a big black horse.  I know they’re not really black and white; Sam has flecks of brown and black, and Mattie is really a dark bay.  Still, it’s beautiful to see them together in the snowy corral—the light and dark, yin and yang.

I want to send Joe a bit of what Mattie and Sam give me just by standing in the snow, letting it blanket their winter coats, and letting me lean against them for a while.  I want that magic transformation for him and for us all.

Poetry Challenge 57

October 26, 2010

Footprints

This morning,when I went to feed the horses, there was light dusting of snow on the corral–like a thin layer of powdered sugar, just enough that the sand underneath showed through in precise ovals where the horses stepped.   Their egg-shaped prints made dotted trails through the corral, sharp and well-formed.

Sunday, while I was doing some chores outside the house, I noticed vole tracks in some unmelted snow where the new compost pile sits.  The voles clearly couldn’t believe their good fortune and the small V-shaped tracks of their feet dragging across the surface of the first winter’s snow showed their enthusiasm for coffee grounds, cabbage leaves, onion skins.

Write something about tracks or traces you’ve found and how they reveal the small and large lives around us.

Post what you write to the comments and I’ll add it to this post.

Poetry Challenge 56

October 13, 2010

We are in the first throes of winter here in the Interior: ice on the roads, snow and mist in the air in the early morning, still a hint of warmth–above freezing–in the afternoon.  We are shifting consciousness to the inner life of winter, readying ourselves to do what’s necessary to get through the season.  And there are moments of sudden beauty–not the gaudy greens and reds and golds of summer, but the subtle pastel of morning light on snow, of the sun slanting on hills, the breath of horses in the evening air.

So write about the small beauties of approaching winter, the ones you’ve forgotten about since April or May but that lead you to embrace the approaching season–inner and outer.

Post a poem in the comments and I’ll add it to this post.

Poetry Challenge 53

August 17, 2010

Summer is winding down here, and the weather is changeable.  Saturday, we had a Chinook wind blow in; it was 75 degrees at 11pm on the last day of the Fair–a night that brings the first stars of the season and, sometimes, first frost.  Today, we loaded up the horses in sun, blue sky, and 80 degrees.  By the time we got to our lesson, we had driven under dark clouds and rode, shivering, in pouring rain.  The weather has us all off kilter.

Write about unexpected weather and someone or something reacting to it.  Be sure to use the sense of touch (as in warm sun/chilling rain) and some quality of motion.

Post the poem as a comment here and I will add it to this post.

Poetry Challenge 52

July 30, 2010

Last night several local poets and I gave a panel for the Alaska Book Festival in which we each read poems of other Alaskan writers whose work we admired.  It was fun and daunting.  I had heard the poets I chose read their works many times–I know their voices, their cadences, the stories behind the poems, and the bits not spoken.  How to read them and do them justice without preempting the other poets’ voices?

Along those lines, find a line or a phrase or a word from a poem written by someone whose work you admire and build your own around it.  If it helps, break the phrase apart and use the words in a different sense than in the original.  Let the poem take on your voice, with echoes of the other poet’s voice.  If it helps, find an unsuspecting word like lupine or hail or sandhill crane or clutch cable  find its way into the poem.

Send it as a comment to this post and I’ll post it here.