Posts Tagged ‘Psyche’

Poetry Challenge 58

November 21, 2010

For the last week, we have been having a lovely snowfall–fine floury snow sifting down over everything, including half-built projects left from early fall.  Walking out to feed Mattie, I bumped my toe into something I couldn’t see under the snow and realized that it was a fence pole that I had thought was stacked safely to the side of the path.  I had changed the path in the snow, it turned out.  With new snowfall every night, the tracks I make the day before become blurred white.  With so much snow, the light reflects from everywhere at once, shifting my bearings and sense of perspective as I walk through it to give Mattie and Sam their hay.

So write about hidden things that emerge or about how what covers them over marks a shift of perspective.  Write about the true things–like a fence pole–that disturb the fluffy surface of everyday.

Post your poem as a comment and I’ll add it to this post!

The View from Mattie’s Pillow

November 14, 2010

Fine snow sifting through the air—a day of gray on gray.  I went out to the corral to rake up manure and add it to my newly-half-built manure compost bin and spend time with Mattie and Sam, who are on their long winter layoff.  Though the darkness comes earlier now, there’s still a time during mid day when the sky is full of light and the snow seems to catch the light and magnify it in the air—even on a day like today when there’s no sun, just flat, filtered cloudlight.

I just finished a conversation with my friend Joe, a brilliant poet who has been part of my writing community for the thirty-plus years I’ve lived in the Interior.  He is ill; in the midst of a visit to his brother back east, two summers ago, he was struck down by a seizure and discovered that he had a brain tumor.  Now, it has returned, and he is back in Ohio, living through rounds of treatments, MRIs, hope and despair.

I have been thinking of him, of how fast our lives can turn and on how little.  Here at Mattie’s Pillow, I find it possible to believe that I can fend off trouble with good intentions.  If I keep my hands in garden soil and horse manure, I magically believe, I will stay healthy and strong.  I recommend it to anyone who asks; the transformation of hay to manure to compost to soil to tomatoes to the delicious meal of pasta I can share with a friend such as Joe seems powerful to me.  The best part of the magic is that the horse is in the middle of it all, the agent of transformation, health, and strength.

But I know there’s more to it than that.  There’s randomness to disease.  It does no good to search back to the time the disease began, for that moment can’t be predicted or changed.  We can only go forward.  I told Joe that his friends here love him and asked what I could do.  I wish I could send him this snow—so dry and fine, falling with a soft hiss and softening the edges of fences, trees, rocks, the trucks parked for winter, the horse manure pile.  I wish I could bring him here for a few moments to run his hands over Sam’s thick coat, lift his pale mane, and breathe in the yeasty horse smell.

I’ve been reading a book called The Horse in Human History, by Pita Kelenka.  I’m going through it slowly.  It’s an academic book, dense with facts and details.  But it suggests that the connection between horse and human goes back farther than we have previously assumed.  The horse is part of our psyche—whole cultures have evolved as they have because horses were made with strong backs, fast legs, and a predisposition to move in concert with others of their herd.  The horse exists deep in our collective memory—swift, powerful, mysterious, and willing all at once.  And we exist deep in theirs, if it makes any sense to draw a parallel.  At least, the horse as we have bred it reflects our deepest dreams of what we want it to be—and what, by the same token, we want ourselves to be.

Another writing friend, Sue Bowling, has been blogging about horse color varieties—the variants of palomino, for example: cream, champagne, dark gold, and more.  She gets into the genetic details, the places on the chromosome that change for each color.  For me, thinking of horse colors touches on the dreamlike qualities of horses—the colors have significance to horse owners, they go in and out of fashion—and how we respond to the colors from deep within.  Sam, the fleabitten gray, seems white in winter.  Seeing him looking over the corral fence from the road below, a neighbor girl called him a magic horse.  And Mattie—I blame much of her “issues” on the response some early owner had to her dark coat—the “Fury syndrome,” I call it.  She lived up to the negative expectations some humans placed on her as a big black horse.  I know they’re not really black and white; Sam has flecks of brown and black, and Mattie is really a dark bay.  Still, it’s beautiful to see them together in the snowy corral—the light and dark, yin and yang.

I want to send Joe a bit of what Mattie and Sam give me just by standing in the snow, letting it blanket their winter coats, and letting me lean against them for a while.  I want that magic transformation for him and for us all.

Poetry Challenge 56

October 13, 2010

We are in the first throes of winter here in the Interior: ice on the roads, snow and mist in the air in the early morning, still a hint of warmth–above freezing–in the afternoon.  We are shifting consciousness to the inner life of winter, readying ourselves to do what’s necessary to get through the season.  And there are moments of sudden beauty–not the gaudy greens and reds and golds of summer, but the subtle pastel of morning light on snow, of the sun slanting on hills, the breath of horses in the evening air.

So write about the small beauties of approaching winter, the ones you’ve forgotten about since April or May but that lead you to embrace the approaching season–inner and outer.

Post a poem in the comments and I’ll add it to this post.

The View from Mattie’s Pillow

October 2, 2010

Zenyatta

Mattie is a big black horse—or a dark bay, when she’s been in the sun a lot.  There’s a way she moves sometimes that’s powerful and graceful all at once, a quality that drew me to her when I first saw her.   Sometimes, standing the corral, scanning the house for movement that might indicate I’m coming with hay, she has a high-headed,  alert look that seems classic, the way we dream a horse should be.

I write this because there’s a horse out there, Zenyatta, who has so much of this dreamy quality it’s as if she were bred from our dreams of what a horse could be.  I had heard about her from a friend who had been following her career over the last couple of years, and I knew she had been winning races, but I didn’t really know what the fuss over her was about until I went to my friend Casey’s to watch her run on the big screen.

I have watched the Triple Crown races on TV since I was around 7 years old.  I remember certain horses I chose as my favorites—the gray, Carry Back, was the first I remember though I forget the year.  And there were whole eras I missed when I didn’t have TV—graduate school years and the out-of-work years after that.   But now, I don’t miss the Derby, Preakness, or Belmont.  I remember Funny Cide and Barbaro, Street Sense and Eight Belles, Rachel Alexandra.  But Zenyatta skipped the Triple Crown, skipped her whole three-year-old year to keep growing sturdy bones and long muscles.  And then she started winning races.

So, today, I went, again, to Casey’s to watch Zenyatta’s 19th race.  She had run undefeated in 18.  19 would be a thoroughbred record.  She won and now holds the record, but that’s not what I remember about her.  She’s built differently than any other horse I’ve seen—a bit longer in the neck, wider-set in the hind legs.  Her gaskins, the muscle above the hock that allows the hind legs to extend and lift, seem exceptionally long so that her hind legs stride deep under her at the walk, like a Tennessee Walking horse.  She is so full of eagerness to run at the start of each race that she paws the ground and extends each front leg in a Spanish walk.  Her muscled back and loin distort the movement of her walk from behind so that she almost looks like she’s waddling or lame—until she’s saddled and moves out onto the track in a smooth trot.

She stands a full hand or two above the other mares she raced against today, which makes her easy to spot in a race—the large graceful black horse who seems to be loping along behind the pack.  The front-runners strain and scramble for the lead, but Zenyatta is having a nice easy hack.  Then, her jockey gives her two smacks with the crop, like a reminder of the business at hand, and she unfolds.  A plucky little bay, Switch, pulled ahead as Zenyatta was working up to her full stride, and, for a minute, we all thought she had waited too long.  But Zenyatta stretched out her frame and those long fluid muscles, and, in two huge strides, she had won.  We were bouncing on the couch and screaming.

So, why this horse?  She seems like a horse out of Walter Farley’s Black Stallion books.  It sounds corny to say it, but she seems to take everything in: her large ears swivel to every sound and movement, she looks at the camera as if she understood posing, she looks at the crowd as if she intended to be admired.  Hardened sports announcers marvel at her ability to know where the finish line is and cross it ahead of the others at the necessary moment.

And everything about her is large—her large diamond blaze that covers her wide forehead, her long, arched neck that tapers up from the width of her shoulder to the crest to the narrower poll, her wide back and loins, the dappled gleam of her coat.  When we watch her, we know we are seeing something we may never see again.  She touches some deep longing in us for perfection or for the ideal.  She makes everything she does seem easy.

I’ve been thinking of her all day on a day when people I love and care for are dealing with troubles: a bad breakup, a serious illness, unfinished projects, the onset of winter.  She lifts us out of it all for a couple of minutes that we can replay and replay in our memory (not to mention You-Tube).  She balances us out—heartbreak/Zenyatta; runaway dog/Zenayatta; political shenanigans/Zenyatta; the waning moon, the dark night of the soul….Zenyatta.

She will run again on November 6, in the Breeder’s Cup, against colts.  Maybe she will lope less and run more.  Maybe she will find that extra speed her jockey, Mike Smith, believes is there.   Maybe we’ll all hold our breaths, endure what we need to get to that day, cheer her last race before retirement to the lazy life of the brood farm, let a little of her beauty, her strength, her confidence into our lives at that moment, in hopes it will carry us on through the winter ahead.

Poetry Challenge 55

October 1, 2010

Blue

We’re all a bit blue in the Interior as fall drags slowly toward winter.  The leaves are nearly off the trees now; the sky deepens to a slaty blue and lingers there for hours.   Late at night, if there are no clouds, the aurora drifts slowly across the sky, a pale blue green.  It’s been chilly at night, though we’re in a bit of a warmer trend now.

So write about something blue–large or small. Leave the word “blue” out of the poem, if possible.

Post the poem as a comment here and I’ll add it to this post.

The View from Mattie’s Pillow

September 22, 2010

Equinox

Today was the fall equinox, the balance point between our season of extravagant light and the introspective dark of winter. Tonight, as I write this, the moon hangs full in the southern sky over the Tanana Flats, just above a bright speck of planet low to the horizon. For the last few weeks, we’ve had warm, even hot days, gradually cooling to the high 60s during the day, chillier at night. Today, however, the forecast is for colder air to move in from Canada, bringing the chance of frost, even here on the ridge.

This evening, around 7, I went out to feed the horses and felt the deepening chill in the air. It was still pretty light, and I noticed my surprise at this fact—more evidence that deep down, I’m preparing myself to accept winter. I’ve been delaying dealing with the garden, though we’ve been eating from it every day, but tonight I knew I couldn’t delay any more. I brought out some woven grocery bags and picked the pole beans, the yellow French beans curled into Cs and the purple and green Rattlesnake beans—new this year—hanging straight and full. I put the squash into separate bags—small yellow crookneck, golden patty pan, a few small delicata, and three huge zucchini. I went to the greenhouse and moved all the tomato plants that I had left around the outside of the greenhouse into the greenhouse with the more privileged plants, then went back to the house and ran three five-gallon buckets full of hot water to keep the edge off the chill in the greenhouse. Then I went up on the deck and brought in the pots of herbs and the still-flowering geraniums and covered the tomato plants I had to leave outside with a large sheet of clear plastic. I looked around at the pots of flowers on the deck: deep purple and pale yellow petunias, marigolds, orange and pale blue and purple and yellow pansies, lobelia, verbena, lupine. Some of it will take a light frost. Maybe it won’t frost at all—we’ve been lucky so far. But there was frost on the grass in places at the university this morning as I made my way to class, and my toes were cool in my sandals.

We are nearly ready after this lovely reprise of summer. Yesterday we picked up the last of our year’s supply of hay from the Mayo fields. The bales were paper-dry and light enough to make the job of stacking easy. The sun slanted on the field, we saw a family walking along the farm road with a stroller, and Jeter the poodle had a grand time running through the open space to greet the walkers, the other trucks, and us in our separate trucks. Tonight, the new hay gave off a bittersweet scent, rich with the stored sunlight in each blade that will warm Mattie and Sam’s bellies through the coldest season.

Later tonight, we watched a short film on PBS about the poet William Stafford. I don’t know how this all fits together, except to see Stafford’s face in the film and to hear his voice and the voices of others reading his poems reminded me of how much his poems have worked their way into my sensibility. He had a way of looking sideways that included rather than excluded the viewer, and he was one who proved Dickinson’s point that “the mind is wider than the sky.” In this balance point of the seasons, finding Stafford seemed both reassuring and invigorating. He was the teacher, after all, who told student writers that if they didn’t like what they had written, to “lower your standards.” He was one who wrote poems at conferences and gave them away. I remember years ago meeting him on a path at the university when he was staying in student apartments as a visiting writer. I was a graduate student, and somehow our schedules dovetailed so that he would be returning at the same time I was headed to class. The path to the center of campus led through a small grove of birch trees, and that is the point where our paths would cross. He would nod and smile as if he knew me and wanted to share in that nod and the twinkle of his glance the secret of joy in that moment. I don’t remember if we spoke. It may have been this time of year—at least I imagine there were yellow birch leaves making the path golden.

So now we head into the reflective time of year. By the weekend, I will have given up all resistance and will have picked the tomatoes. We will pull the carrots and dig the potatoes and decide the best way to store the three purple cabbages we have left in the garden. I will be sad that these beautiful plants that I have tended from seeds will freeze. Mattie and Sam will get in a few more rides, or Mattie will; Sam is on rest while he heals from his foot and back soreness (more on that in another post).

And winter, for me, is the time for writing, as Stafford reminds me. I like to think he would have appreciated how much growing plants, building the soil, tending and riding the horses stand in for poetry in the summer months. Or even more, how poetry stands in for and can barely show the surface of the richness of these things.

I hear the clatter of the wind chimes outside on the deck. The window is dark. The season has turned, just like that.

Poetry Challenge 53

August 17, 2010

Summer is winding down here, and the weather is changeable.  Saturday, we had a Chinook wind blow in; it was 75 degrees at 11pm on the last day of the Fair–a night that brings the first stars of the season and, sometimes, first frost.  Today, we loaded up the horses in sun, blue sky, and 80 degrees.  By the time we got to our lesson, we had driven under dark clouds and rode, shivering, in pouring rain.  The weather has us all off kilter.

Write about unexpected weather and someone or something reacting to it.  Be sure to use the sense of touch (as in warm sun/chilling rain) and some quality of motion.

Post the poem as a comment here and I will add it to this post.

Poetry Challenge 50

June 22, 2010

In honor of the solstice and the delirious quantity of light we’re getting these days, write from a giddy place.  Think of a time or place or color of the clouds that made you feel silly and happy all at once.  For me, last night, it was a Midnight Sun Baseball Game that went 15 innings under the silvery light of Solstice night.  We sat in the stands and hollered and laughed as the sun slipped behind a row of hills, still sending a wash of yellow light into the arc of the sky.  Then as the last hit brought all the runners in, the light behind the hills brightened, the cirrus clouds turned fireweed pink and the sun slid back up again.  A perfect–if very long–solstice night.

Write about a moment of unexpected glee.  Use all five senses, of course.

Post it as a comment and I’ll post it here.

Poetry Challenge 49

June 8, 2010

Today a distant friend e-mailed me that she was reading a poem, “Bird News,”  from my new book, Beneath a Portrait of a Horse, and that it had her tongue-tied.  It’s always amazing to discover that someone sees what you intended in a poem–or sees more than you ever thought was there.  This was a poem I started years ago, tinkered with, abandoned, tinkered again, and finally included in the book, hoping that in made sense in somethingof the way I had hoped it would when I wrote the first draft.  Putting a book together allowed me to see old poems in new ways.  Sometimes just placing one poem next to another brought out some association I hadn’t noticed in the older poem and made it seem fresh once again.

So, go back and find an old poem you’ve stashed away somewhere.  Read it as if you were a distant reader, as if you had no idea where the poem originated or where it’s going.  Let yourself be surprised by the phrases that actually do turn out well–and do some housekeeping on the ones that fall flat.   Pare away.  Strengthen nouns and verbs.   Make short lines long, long lines short.  Or discover that the poem is actually a complete whole  that arose from the deepest awake places in your unconscious.

Post it here in the comments section–your oldies and actually goodies.  When I have a few posted here, I’ll post the poem my friend was reading, too!

Poetry Challenge 48

May 20, 2010

We’re into leaf-out here in the interior–the leaves, still small and yellow-green, shine as they flicker in the breeze.  The wind has been stronger than usual as the ever-increasing daylight creates unstable warm air masses that move across the flats or up the river system.  The other day, I came home to find Sam in the middle of the corral staring hard at the hill behind the house, where a large spruce had fallen–luckily, along the side of the hill and not onto the house or the corral.   Yesterday, he spooked at the hose being pulled along the side of the corral.  We’re all a bit jumpy.

So write about a phobia that turned out to be nothing to worry about–or a close call (like the tree).  Let the wind blow through the poem–or have a cat run through it.

Add it as a comment and I’ll post it here.

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Here’s a poem from Tim Murphrey:

Bernoullian Extacy

Scraping the ice from the pane
solidifies to my vision
the relationship between two lovers:
Me
and the ground.
But the doubt in our courting lies
on me, an Earthbound yearning,
and I wonder if she wants
like I do, or worse.
Our union can only end in disaster.
A buzzing, as of switches being thrown,
that light, airy feeling
from my new mistress
helps to lull me into the big lie
that this may never end.
Fast, too fast! and I’m always watching,
straining to see the ground, now grown cold,
expression seldom changing,
quick, constant, moving glimpses of us sailing over,
swollen belly mocking; what was once the Earth’s
now belongs to the vespers.
She’ll have to tolerate our presence soon, as we give in
to the sinking feeling –
Our union can only end
in disaster.