Excerpts from a work in progress:
from Fear
So, does the horse somehow offer us courage? Is our attraction to the horse more than the size, the muscles, the flow of mane and tail? Children’s literature is full of stories of children, broken in some way: orphaned, injured, ignored–who find their strength through a horse. Take Walter Farley’s novels of Alec and the Black Stallion, a story that blends the most romantic images of the horse–the half-tamed stallion ridden by a small fatherless boy–with accurate details of the racing world in the 1950s. Alec loses his father in a shipwreck but gains the trust of the Black when they are marooned on desert island (OK. Romantic). When they arrive in New York, they partner up with a neighbor, a washed-up horse trainer, who retrains the Black for a career on the track. From there, except for the part were the Black wins every time, the details are accurate. Most of all, the details of how Alec learns courage, patience, determination, gentleness, and ingenuity from his life with the horse have moved children in the years since the books were published. And this lesson–when Alec was afraid, the Black lost trust in him; when he overcame his fear, the horse performed spectacularly–allowed children to contemplate their own relationship to fear.
Most riders don’t ride a horse like the Black, though most dream of it. Our fears are compounded by our history and by the life we live that doesn’t involve horses. Unless we raise a horse from a foal, we have no way of knowing what others have done or what accidents have torn the fabric of trust we hope will be woven between us and our horses. Those who work with horses are testing the limits of fear. We approach a new horse watchfully but not timidly. Will it kick? Bite? Shove us with head or hindquarters? We don’t want to be hurt, so we go slowly, watching for the first sign of anxiety in the horse, backing off, then trying again, until we have moved the boundaries of trust between us. The handler and the new horse need to prove to each other that each is trustworthy. The horse may see if we will back off, if it can call our bluff. The handler will test to see what’s bluff, what’s fear. Sam, my elderly horse, tries this on everyone he meets, though it’s clear to me that he means no harm by it–he’s even insulted if we give up and walk away. The goal is moving together like fish or birds do–one moves; the other moves with it in complementary motion, whether from the ground or as rider and horse
When a rider overcomes fear, that confidence may seem like folly to the non-horse person. Who would do the things a rider does? Lifting a horse’s feet, for example, or stopping it in its tracks with a raised hand, or longeing it at the end of a flimsy line while it bucks and crow hops after a long lay-off. Working with horses changes the measure of fear. We read our horses as minutely as they read us; if this holds to the rest of our lives, we are reading situations for their subtleties, knowing when to worry and when to keep grazing, when to trust the herd and when to be the one who sounds the alarm.
People want to visit my horses and I welcome them. Often, however, they are surprised at what they find. I try to teach them the simplest thing–hold a treat in an open palm and let the horse take it between its lips–a velvet kiss. This flies in the face of all the non-horse person’s fears. The large head of the horse lowers toward the hand, the breath of the horse warms the skin, the horse’s lips begin to flap in anticipation–and the person freezes, draws back, closes the hand. We try again. Mattie and Sam are patient, ritualistic about this. Then I can tell who has the courage of the horse in them. The horse’s lips on the palm are delicate, precise. They close on the treat and lift away like a large butterfly resting then rising from the palm. It’s a delicious feeling, and those who push aside their fears enough to experience it will want to offer the horse another treat.
And with horses and humans, that’s what defeats fear–the deliciousness of the whole enterprise. “The outside of a horse is good for the inside of a man (or woman)”, says (who? Washington?). We overcome our fears because what we gain is not just lack of fear, but an expanded sense of our selves, of possibility-the dream of the horse, and of shared enterprise, communication with another species whose history is linked with ours. Riding feels ancient and present at the same time. Standing next to a horse in a moment of stillness transcends time. Smelling a horse, lifting the mane and putting my nose in the shallow valley between neck and shoulder and inhaling, gives me courage to face whatever human catastrophes the day holds.
Mattie's Pillow 